![]() ![]() Eventually he moved to the Leica M3 and is known to have used a super-speed 50mm f/1.2 Noctilux to cover the Paris riots of 1968.ĭavid Douglas Duncan (1916 -2018) was a great American photojournalist best known for his dramatic, gut-wrenching combat photographs of World War II and the Korean War. Before World War II he often used a Leica III or IIIa with an uncoated 50mm f/2 Leitz Summar lens, and in the ‘50’s he shot with a Leica IIIf with a 50mm f/1.5 Summarit or a 50mm f/2 Summitar lens. His first Leica was a scale-focusing model I (aka the model A) with a collapsible, non-interchangeable 50mm f/3.5 Elmar lens, and he graduated to the coupled rangefinder Leica II rangefinder when it arrived in 1932. However, like most of the world’s great photographers he evolved with the times. Perhaps even more revealing than Henri Carter-Bresson's statement quoted in the intro to this story was his incisive comment on photography itself: "It is an illusion that photos are made with the camera… they are made with the eye, heart and head."īresson famously used a 35mm Leica rangefinder to capture almost all of his iconic images, and he was a great proponent of sticking with one focal length lens, in his case the classic 50mm. Note: Some of the facts on the photographers listed below is based on information found in their biographies posted on Wikipedia. ![]() The great 20th century photojournalist, humanist, and street photographer Henri Cartier-Bresson expressed this succinctly in his famous observation, "The camera is an extension of my eye." When perusing the below list of 10 renowned photographers and their favorite cameras and lenses, bear in mind that most of them used a variety of equipment over the course of their careers, so the cameras and lenses we’ve cited are the main ones but not the only ones. Indeed, the photographer, camera, and lens comprise a functional unit and the photographer-camera interface is central to the process. Photography is a technologically based artform, and the camera itself has a far greater influence on the look and feel of the resulting image than, say, the painter's paintbrush or the writer's pen. However, the camera is not insignificant to the creative process. When it comes to capturing timeless and transcendent photos, everyone knows that the person behind the camera is the most crucial factor and that the particular gear, he or she used, is less important. ![]()
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